I have been recording guitars, arranging and mixing in Budapest for twenty years. As a producer my job is to turn your song into what you hear in your head: decide what stays, what comes in and where everything sits.
Pop, indie, neo-soul, jazz and film scores. I work on whole records and on single songs, and I say so when I think the song needs nothing more.
Send me the sketch and I build the song around it: arrangement, programmed drums, keys, real guitar and bass. You get back a mixed, mastered track that is ready to release.
If the recording is done, I take it from there. Ableton, UAD plugins and analog gear, including a tape machine I use to glue the mix together.
Electric, acoustic and nylon guitar, with baritone bass underneath. You get the dry DI and the amped track, tempo-aligned and named.
Send the song with tempo, key and a reference. I record the parts in my Budapest studio, send a rough for approval and finish only after your notes. We never need to be in the same room; everything runs online.
24-bit WAV, tempo-aligned and named. For guitar and bass you get the dry DI plus the amped track, so you can re-amp later.
Yes. Revisions are included in every package, and a rough always comes before the final so we agree on the direction early.
Electric, acoustic and nylon guitar: rhythm parts, doubles, leads, solos, ambient layers. Bass on a baritone guitar. Indie pop, pop, neo-soul, R&B, electronic, blues-rock, jazz and hip-hop.
Jónás Vera Experiment “Levegő” (production, mix, master), the HOLD album, FlorasFloras “Can't Hide”, and the score for the feature film Hasadás. See all credits.
More on what a music producer actually does: Zenei producer Budapesten (in Hungarian).
Tell me what you are working on and I will tell you honestly what I can add to it.
Send a message